Cine Lens
Video lenses help you take extremely varied recordings. Take for example, flashy reports, stunning nature fragments or fast-paced action scenes. More about
Sigma 14mm T3.2 FF Classic F/AP2 (Metric) PL Metric, i/Technology
6740 €
Sigma 105mm T2.5 FF Classic F/AP2 (Metric) PL Metric, i/Technology
6740 €
5 years warranty
DZOFilm Pavo 2x anamorphic Prime 180mm T2.8 - Neutral Coating - PL&EF mount (meter)
3537 €
5 years warranty
DZOFilm Pavo 2x anamorphic Prime 135mm T2.5 - Neutral Coating - PL&EF mount (meter)
3537 €
5 years warranty
DZOFilm Arles Lustre 75mm FF/VV Prime Cine Lens PL mount (meter)
3363 €
5 years warranty
DZOFilm Arles Lustre 50mm FF/VV Prime Cine Lens PL mount (meter)
3363 €
5 years warranty
DZOFilm Arles Lustre 35mm FF/VV Prime Cine Lens PL mount (meter)
3363 €
5 years warranty
DZOFilm Arles Lustre 25mm FF/VV Prime Cine Lens PL mount (meter)
3363 €
DZOFilm Pictor Zoom 20-55mm + 50-125mm Set in Hardcase
2809 €
5 years warranty
DZOFilm Pictor Zoom Bundle 50-125/20-55 T2.8 WHT
3257 €
Canon CN-E 70-200mm T4.4 L IS KAS Cinema EF
5199 €
Canon CN-R 14mm T3.1 L F (M)
4899 €
Canon CN-E 14MM T3.1 L F Cinema EF
4899 €
5 years warranty
Zhongyi Mitakon 17mm T1 + 25mm T1 + 35mm T1 + 50mm T1 (Cine Bundle Set) MFT
1739 €
Laowa 24mm T8 2x Pro2be Probe 35 degree module (Cine) - Arri PL
2719 €
Canon CN-R 135mm T2.2 L F (M)
4689 €
Canon CN-E 135MM T2.2 L F Cinema EF
4689 €
SIGMA 85MM T1.5 FF FL F/AP2 (METRIC) PL
4864, 20 €
Everything you need to know about video lenses
Video lenses are ideal for moving images. These are also called film recordings.
What is a video lens?
As the name suggests, a video lens is especially designed for video cameras. A video lens is also known as a cine lens, cinema lens or objective lens. These lenses have been designed to meet the particular requirements of moving images. Take for example, design, focus control, zoom control and light & aperture control. Below we have outlined the key features to help you find the right one for you.
Different lenses
All lens types are covered in the range of video lenses available. Prime, zoom, telephoto lenses. These lenses work in the same as camera lenses. As such, the prime lens still has a fixed focal distance, and with a telephoto lens you can zoom in from a great distance away. The one you choose depends on the creative path you're on. If you're making reports then you'll no doubt quickly reach for a zoom or telephoto lens. Prime lenses are more suitable for taking stabler footage.
Focus = key
With focus you lead the scope through your narrative. You have to be able to switch from one subject to another, but also be able to track your subject without the image blurring. That's why accurate focus control comprises one of the key features to look out for when buying a video lens. You must be able to retain proper focus, even when zooming in or out. The lenses that match this brief are also known as parfocal lenses. You can control your focus using the focus ring on the lens. These are infinitely adjustable, for optimum precision. You will see this expressed as an ft value.
Light and aperture control
Cinema lenses are not aperture-controlled. Instead, these lenses use iris rings with T stop settings. T stop stands for transmission. T stop values indicate the amount of light that is actually transmitting through your lens to your camera. With F stops there is a formula that calculates how much light needs to transmit through the lens, based on the focal distance, divided by the exit pupil. Please note: T stops don't take any loss of light into account caused by the various glass elements. So, the safer option are F stops, yet T stops give you enhanced accuracy.
Design
Video lenses differentiate themselves from camera lenses with their optical design and quality. You'll see this for yourself soon enough, when working in tricky lighting conditions. In part, this is down to the significant investment in reducing image distortion in the lens. You see, vignetting for example, is far sooner discernible in moving images than in photos. This relates to reflection and refraction. This in turn makes lens coating, among other things, vitally important. Usually, this results in a decrease in lens contamination.
What brand to choose?
Do you have a particular brand in mind? We have various top brands:

























































